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Got another feedback today asking if I was going to do a sequel to "Scarab".

Got me thinking, and looking at my feedback ... just on ff.net, from reviews of the complete work, I could do a tally.

Lessee:

-One request for sequel (liked, but complains about "serious lack of b/s"; asks for "sequal with spuffiness?").
-One request for sequel ("pretty please? You can't leave us just hanging...").
-One request for sequel.
-One review without a request for a sequel, with constructive criticism.
-One request for sequel ("Looking forward to the sequel which you lined up.")
-One review without a request for a sequel.
-One request for sequel.
-One review without a request for a sequel.
-One review without a request for a sequel.
-One maybe (does "please do more" count?).
-One review without a request for a sequel.
-One request for sequel (indicating that it should take place during the battle against Glory).

That doesn't include the e-mail requests ... but from that sample alone, it's about fifty/fifty.

Anyway ... why do people make sequels in the first place?

-Looking to milk the cash cow of a successfully told story? (Obviously doesn't apply to fanfic writers.)
-Logical continuation of a story that's already been told?
-New direction for a tale that's already been told?
-Someone trying to re-imagine a story someone else did?
-Someone who can't seem to let go of a story that has been told, continuing to tell the tale long after people have lost interest?

Some big names have fallen prey to some of the traps of not knowing when to end a story *cough*GeorgeLucas*cough*.

I mean, name a sequel - it's an ultra-long list. Name a successful sequel - that's a much, much shorter list.

I, for one, can't rattle off stories like I was a machine - I have to believe in what I'm writing. I have to understand it.

And I've got to know what I'm doing.

Which, in the case of "Scarab", anyway, I don't, not when you take it past the point where it ended. I've got three half-formed plot bunnies, a general idea, and if I were to begin writing now based on that ... I would end up with something like Men In Black 2.

(For the benefit of those who didn't see Men In Black 2, that movie sucked hard vacuum. Incoherent plot, jokes stitched together like a patchwork quilt ... not good.)

Not that "Scarab" compares at all to the original MIB; doesn't even come close. But it's not badfic. I don't know if it's good, but it's not badfic.

A sequel, based on what I have now, would be badfic.

And, truth be told, I don't see that I'd have the mental resources to do a story that extensive, now or in the near future, with the job hunt underway and the career about to begin. I would especially be leery of throwing the ideas out into the public domain for a sequel ... I've seen too many people trash an original idea by making an insipid sequel. Even happens in fanfic.

(There is a group of highly talented authors I would trust with the genesis of the sequel, but something tells me they wouldn't want anything to do with it...)

Sorry. Had to vent.

Close entry.

Date: 2003-04-09 05:09 am (UTC)
From: [identity profile] weirdweb.livejournal.com
Heh, I think you need a virtual sign in big block letters that says: "STOP ASKING ME TO DO A 'SCARAB' SEQUEL ALREADY!"

The fact that you pulled off a Stargate/Buffy crossover so well while actually fitting it into canon for both shows in one story should be enough for people.

Oh, and I'm at work so I'm consolidating my comments: Glad you found those CDs. :)

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